Bristol punk rock - Kiss me, Killer

Riot grrl femme fatales

Davidkmk

See our new Cooper Rose-produced KMK trailer!

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Thanks to Cooper Rose we’ve now got a cool intro video. Filmed by Cooper during our appearance at Umlaut Records’ Dugstock II fest at London’s legendary New Cross Inn, some clever aiding has made us look like one of those bands you just have to check out.

The unbelievable multi-talented Cooper also plays and sings with The Menstrual Cramps and well as recording and producing their records. She’s also a part of the supercool Bad Sidekick, who’ll be realising an EP later in 2018, which is one to look out for.

Cooper playing with Kiss Me, Killer.

The video’s already clocked up hundreds of views on the Kiss Me, Killer Facebook page and you can view a YouTube version right here:

Kiss Me, Killer to make Devon debut

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It’s taken us a while but we’re finally playing Exeter at the famous Cavern club on 15 May. The gig, entitled, All in Riot Grrrl, will feature some of the best in punk rock from the West Country, including Bristol legends Drunken Butterfly and Bath’s top feminist anti-folk exponent, Yonic.

A night of punk rock action in Exeter.
A night of punk rock action in Exeter.

Tickets are available for a mere £4, on sale at The Cavern Club and from this website: http://www.wegottickets.com/event/437086

There’s also a Facebook event page here.

Kiss Me, Killer hit London for Umlaut Records’ Dugstock II

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The band returned to London’s famous New Cross Inn over the Easter Bank Holiday weekend for Dugstock II – a three day fest put together by the mighty Umlaut Records. We appeared on the Friday bill with bands like The Murderburgers, Strange Planes and fast-rising Mancunian punks, Aerial Salad.

KMK members arrived there in dribs and drabs, meeting at the venue and happily everyone made it on time. The New Cross Inn is now a relatively salubrious place. It’s also one that’s grown in importance while other iconic haunts have closed down as the capital places property speculation above all other human activities.

Our friend and No. 1 superfan Ina the Dane says she misses the days when The New Cross Inn was a full-on dive bar with people out of their skulls on hard drugs, awakening from a haze to have a little dance before crashing out again, although I was taken with the fine selection of craft beers and real ales now available from the bar. I downed a morish Cornsish pint called ‘Proper Job’, which really touched the spot after nearly three hours on the Megabus.

Umlaut’s Mark greeted us before an enthusiastic Friday night crowd who were right up for some storming punk rock enjoyed the opening acts Dirty White from Brighton. Next up came Kent’s Dark Days feature gallic livewire, John, who charged around the stage like a man possessed, hammering his bestickered Telecaster with reckless abandon. He wore a Kiss Me, Killer snakes t-shirt. Nice. Everyone should have a Kiss Me, Killer shirt.

Most of the KMK and cohorts had invited cool London friends along and many showed up for their first taste of the new breed of punk rock, Bristol fashion. Our set was generally pretty strong, the sound good, and our eclectic mix seemed to go over well, with people appearing to dig our new song, Sliding into my DMs, with its wahwah-laden porno soundtrack intro and spy guitar riffage.

Emilia and Cooper from The Menstrual Cramps were there and Cooper took some abolsutely amazing images for us. Check these out…

Ariel Salad and the headliners smashed it.

KMK’s Easter weekend was not over, though as we returned to Bristol to play TWO more gigs at the Exchange and a fundraiser at The Red Lion! By the end of the third gig in three days I think we were ready for a good long snooze…

Bristol’s NITELIFE Magazine covers Hell Hath No Fury’s Menstruals gig

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Go into any of Bristol hipper cafes, haunts and night spots and you’re sure to have seen, or even picked up, a copy of Nitelife Magazine, which showcases the best is the city’s nightlife.

Nitelife has clearly cottoned on to the now exploding new wave of punk bands emerging both in Bristol and across the UK, which are bringing a lot of excitement, and covered a gig promoted by Holly KMK in her Hell Hath No Fury Promotions guise. The headline act were The Menstrual Cramps, one of the biggest and most authentic names in this dizzying explosion of incendiary new DIY music, mixing feminism, humour and onstage dynamism into an infectious package.

NITELIFE Magazine, Bristol
NITELIFE Magazine, Bristol

The gig made the cover with a stunning image of the band. Holly KMK can even be seen in the background if you look carefully. You can see the whole issue here.

Kess Me, Keller! St Patrick’s Day thrills with Punka Presents & Ruby Rawbone

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As a band we should never eat quality pies before a gig… The first time we ate some lovely Welsh pubgrub pies before a show and played to a couple of people with, um, a band that wasn’t really a good fit. On St Patrick’s Day we scoffed some of Bristol’s famed Pieminister products… and the PA blew up just a couple of songs into our set. Still, it wasn’t all that bad as we had a fun-packed Irish holiday all the same.

Punka Presents is a new series of gigs put on by Bristol’s Punka crew, who are tearing it up on Bristol’s LGBT nightlife scene. Promoter Stu had put in loads of effort putting the word out about the gig, which took place at The Trap venue below St Nick’s Market. With celebrated drag superstar Ruby Rawbone acting as compare the stage was set for a gig that went far beyond the humdrum run of the mill.

Local act Monocle were the first band on the bill and warmed up The Trap with some sonic pyrotechnics fronted by powerful female vocals from the energetic Becky. The were followed by Chang, who are getting a lot of attention with a musical mix that’s both absorbing and explosive in equal measure with involving grooves blending elements of neo-grunge, noise-rock and post-rock. It’s definitely a band to see if you like your rock music fresh.

Kiss Me, Killer had their photo taken by a chap called Marco Bardusco-Brazier, who’s making a documentary about the aforementioned Ruby Rawbone before we took off for pie and mash. Marco’s Instagram account can be found here and very colourful it is too.

Look, we got our photo taken by a documentary filmmaker who's been making a movie about the drag scene....
Look, we got our photo taken by a documentary filmmaker who’s been making a movie about the drag scene….

Notably, it was the first gig featuring deputy rhythm guitarist, Cooper Rose. Sadly, our lovely Cat had had to jet off to sunnier climes with work (and will soon be travelling again around Central America – alright for some). Cooper, or Coops as she’s often known, plays with our friends The Menstrual Cramps who are causing a stir across the UK with their feminism ‘n humour infused songs and have developed rapidly into an unstoppable live force. When not making videos for the Menstruals and DIY-recording with Logic Pro X, Cooper also performs with London’s unbelievably cool Bad Sidekick project. She also has one of those proper Instagram accounts with great poses, style, followers and whatnot. Northern and vegan, she chose Pieminister’s animal-free Kevin pie, which I think she very much enjoyed. I think we all enjoyed our pies. Pieminster know what they’re doing I think.

Everything was going swimmingly and the band was in a positive, party vibe mood for St Patrick’s Day, even though we had to feign our own terrible Irish accents in the absence of authentic Irish punk girl, Cat: ‘KESS ME, KELLER!’

We powered into Beware! EP favourite From the Inside and gave Rat Race a hammering before we realised something was up… Had Holly blanked in her lyrics for recently-written tune, Sliding Into My DMs? No, it was the mic, no, it was ALL the mics. Yep, the PA had failed completely… blown up… kaput… no funciona… muy jodido… t’be sure, t’be sure…

Kiss Me, Killer - featuring deputy guitarist Cooper Rose - with the majestic, Ruby Rawbone
Kiss Me, Killer – featuring deputy guitarist Cooper Rose – with the majestic, Ruby Rawbone

While Mr Soundman fiddled frantically with his equipment we bravely tried to fill the space with some improvised material, eventually easing into a completely new genre we made up on the spot – anarchojazz pornopunk – which wouldn’t have sounded out of place on the Vampiros Lesbos OST. Eeeking this twangy, sleazy wahwah-infused jam out as long as possible, and attempting a super-quiet version of our song Snooker so Holly could be heard without a mic, it was time to knock it on the head and call it a night…

Cheri Clouds managed to get some good shots of us, even if we weren’t on stage for very long:

Punka’s lovely Stu was deeply apologetic about the technical hitch, just one of those things, but was keen to have us back ASAP. And, yes, we’ll be playing another Punka Presents in June. Watch this space, people… Watch this space… We love Punka. They’re fabulous.